It appears you've stumbled upon the testing site for the KSU Press.
No books can be purchased from this site but if you're are interested check us out at our official site.
Shopping cart

Wick First Book

David Hassler, Editor
Maggie Anderson, Founding Editor
The Stan and Tom Wick Poetry Prize is offered annually to a poet who has not previously published a full-length collection of poems. It is made possible through the Wick Poetry Center, which is directed by David Hassler.

Fugue Figure

| Filed under: Forthcoming, Wick First Book
Fugue Figure by Michael McKee Green. KSU Press

The book states plainly that both its speaker and the speaker’s mother have suffered near-deadly head injuries (“when I woke up in the hospital thirty years after you did,” “my head: / rotting pear”), resulting in loss of memory. However, rather than let a taxonomy like “family curse” sit unquestioned, Green writes toward the fugues (i.e., the condition of having one’s identity questioned) by making a kind of fugue (i.e., interweaving song). Johnathan Culler writes that “the fundamental characteristic of the lyric . . . is not the description and interpretation of a past event, but the iterative and utterable performance of an event in the lyric present, in the special ‘now’ of lyric articulation.” The lyric in Fugue Figure allows the unspeakable past to be uttered in the lyric present, and the form of diptychs and triptychs through the book place disparate lyric utterances together on the same page. While lyric addresses allow the reader to reach toward the speaker’s unknowns, the triptychs and diptychs allow the reader to reach toward the unnamable place between left and right signifiers, both adding to the vital enigma of the poems.

 


Even Years

| Filed under: Poetry, Recent Releases, Wick First Book
Gosnay Cover

“The poems in Christine Gosnay’s first book, Even Years, speak with a voice that animates and astonishes us as they delineate and explore, trace and explode, the ‘order of shapes in the light’—the order of words, of moments in a life, of shifts in perspective between the ‘cleave and / Cleave’ of language. In these piercing and evocative poems we see, as in the poems of Stevens and Dickinson, ‘The back of the eye / where it has been struck by all things’ (‘N-gram’).

 


hover over her

| Filed under: Explore Women's History, Poetry, Recent Releases, Wick First Book
Osowski cover

“In Leah Osowski’s exquisite debut, hover over her, the poet immerses us in geographies of unrealized adolescence, where young women are singular amidst their cacophonous backdrops, whether beside a lake, inside a Dali painting, or stretched out in a flower garden. These spaces are turned inside out for us through Osowski’s linguistic curiosity and unforgettable imagistic palate. Negative possibilities hang around every corner as well, showing us the ways in which we are also complicit in the constructions and obstructions of gender. As the speaker in ‘she as pronoun’ says, ‘she’s I and she’s you every / time you hid beneath your own arms.’ But through the evolution and renaissance of Osowski’s speaker, we find affirmation in these shared connections, transparency in the landscapes of growth and escape, and the freedom that comes from the task of unflinchingly examining our whereabouts inside of them.”
—Adrian Matejka, author of The Big Smoke

 


Translation

| Filed under: Wick First Book

“Matthew Minicucci begins his collection with his prize-winning poem, ‘A Whale’s Heart,’ where in the old world, a rose petal tincture was used to minimize a scar, but never concealed it completely. This is a book of such faint scars, losses almost imperceptible but there, hidden under the hairline, or just above the heart. It is how these losses are transformed, through the alchemy of memory, forgiveness and love, small, intense, painterly studies of a country populated by the human family.”

—Dorianne Laux

 


The Spectral Wilderness

| Filed under: Poetry, Wick First Book

Winner of the 2013 Stan and Tom Wick Poetry Prize
Mark Doty, Judge

“It’s a joy. . .to come nearer to a realm of experience little explored in American poetry, the lives of those who are engaged in the complex project of transforming their own gender… Oliver Bendorf writes from a paradoxical, new-world position: the adult voice of a man who has just appeared in the world. A man emergent, a man in love, alive in the fluid instability of any category.”

—Mark Doty, from the Foreword

 


The Dead Eat Everything

| Filed under: Poetry, Wick First Book

“This book is a document of a particular world, real, wrenched from the poet’s life, as if written with a gun to his head or a spike through his heart. Reading it is like opening a damp newspaper wrapped around a big fish just caught, fins glistening, scales shining, one rhymed eye open and looking right at you, daring you to eat the whole thing.”—Dorianne Laux, author of The Book of Men

 


Wet

| Filed under: Explore Women's History, Wick First Book
Creedon Cover

“I’m moved by the way that Carolyn Creedon’s work treats experience as sacred. She won’t look away from difficult truths. She writes frankly about her own frustrations, longings, and heartbreaks, but she also recognizes the suffering of others—their secret grievances and griefs. The daily working world is here in full measure. And yet there’s an oddly religious feeling that keeps breaking through this volume, which cherishes the small things, the lesser divinities, and ends with a prayer. It heartens me to welcome this fiery and fervent book, this wet collection, into the world.”

 


Wick Poetry Center also sponsors scholarship awards, a reading series, and an annual Chapbook competition for Ohio poets. For guidelines, write to David Hassler, Director, Wick Poetry Center, Department of English, Kent State University, P.O. Box 5190, Kent OH 44242-0001.


This is a firstbook archive